![]() ![]() In the 2000s, horror-oriented late-night movie programming has disappeared from many broadcast stations, though B pictures, mostly of a melodramatic nature, are still widely used in post–prime time slots. ![]() In 1993, Buffalo's WKBW-TV began airing a late-night hosted mix of low-budget genre movies, foreign art films and eventually well-known classic films Off Beat Cinema later became nationally syndicated (currently through Retro Television Network) and, as of 2013, originates from WBBZ-TV. USA Network launched a midnight movie package in 1989- Up All Night, which showed mainly horror and soft-core sexploitation films, ran until 1998. Hype and The Night Evelyn Came Out of the Grave. Others showed it during prime time on weekend nights after a break for the local news, another genre film-a literal midnight movie-might follow, resulting in such virtual double bills as Dr. Some local stations aired the Movie Macabre package in late-night slots. Starting at L.A.'s KHJ-TV in 1981, Elvira's Movie Macabre was soon being syndicated nationally Peterson presented mostly cut-rate horror films, interrupted on a regular basis for tongue-in-cheek commentary. ![]() As Elvira, Mistress of the Dark, Peterson became the most popular host in the arena of the TV midnight movie. The format was echoed by stations across the country, who began showing their late-night B movies with in-character hosts such as Zacherley and Morgus the Magnificent offering ironic interjections.Īs Elvira, Mistress of the Dark, Cassandra Peterson presented late-night movies on the Movie Macabre series.Ī quarter-century later, Cassandra Peterson established a persona that was essentially a ditzier, more buxom version of Vampira. and, later, 10:30 p.m.-aired horror pictures like Devil Bat's Daughter and Strangler of the Swamp and suspense films such as Murder by Invitation, The Charge Is Murder, and Apology for Murder. The show-which ran at midnight for four weeks before shifting to 11 p.m. In the spring of 1954, Los Angeles TV station KABC expanded on the concept by having an appropriately offbeat host introduce the films: for a year on Saturday nights, The Vampira Show, with Maila Nurmi in her newly adopted persona of a sexy bloodsucker ("Your pin-down girl"), presented low-budget movies with black humor and a low-cut black dress. A number of local television stations around the United States soon began showing inexpensive genre films in late-night slots these late-night slots were after the safe-harbor time, meaning they were largely exempt from Federal Communications Commission regulations on indecent content. In 1953, the Screen Actors Guild agreed to a residuals payment plan that greatly facilitated the distribution of B movies to television. The term midnight movie is now often used in two different, though related, ways: as a synonym for B movie, reflecting the relative cheapness characteristic of late-night movies both theatrically and on TV, and as a synonym for cult film. The national success of The Rocky Horror Picture Show and the changing economics of the film exhibition industry altered the nature of the midnight movie phenomenon as its association with broader trends of cultural and political opposition dwindled in the 1980s, the midnight movie became a more purely camp experience-in effect, bringing it closer to the television form that shares its name. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of El Topo at the Elgin Theater, eventually spreading across the country. The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. Tod Browning's Freaks (1932) can be considered an example of the sort of (then) obscure horror film shown on late-night TV beginning in the 1950s in the 1970s and early 1980s it was a staple of midnight screenings at theaters around the U.S. For the 2008 horror film, see Midnight Movie (film). For the Los Angeles–based band, see Midnight Movies. For the screwball comedy starring Claudette Colbert, see Midnight (1939 film). ![]()
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